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By Susanne Zepp

What position has Jewish highbrow tradition performed within the improvement of contemporary Romance literature? Susanne Zepp seeks to reply to this question via an exam of 5 influential early smooth texts written among 1499 and 1627: Fernando de Rojas's La Celestina, Leone Ebreo's Dialoghi d'amore, the nameless story Lazarillo de Tormes (the first picaresque novel), Montaigne's Essais, and the poetical renditions of the Bible by way of João Pinto Delgado. pressured to straddle cultures and religions, those Iberian conversos (Jews who switched over to Catholicism) prefigured the subjectivity which might come to represent modernity.
As "New Christians" in an illiberal global, those thinkers labored in the tensions in their historic context to question norms and dogmas. long ago, students have excited about the Jewish origins of such significant figures in literature and philosophy. via shut readings of those texts, Zepp strikes the talk clear of the slim query of the authors' origins to target the cutting edge methods those authors subverted and transcended conventional genres. She translates the alterations that happened in a number of literary genres and works of the interval in the broader ancient context of the 16th and 17th centuries, demonstrating the level to which the advance of early sleek subjective attention and its expression in literary works will be defined partly as a universalization of initially Jewish experiences.

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An Early Self: Jewish Belonging in Romance Literature, 1499-1627 (Stanford Studies in Jewish History and Culture) by Susanne Zepp


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