By Robert M. Marovich
Marovich follows gospel track from early hymns and camp conferences during the nice Migration that introduced it to Chicago. In time, the tune grew into the sanctified soundtrack of the city's mainline black Protestant church buildings. as well as drawing on print media and ephemera, Marovich mines hours of interviews with approximately fifty artists, ministers, and historians--as good as discussions with kinfolk and buddies of earlier gospel pioneers--to get better many forgotten singers, musicians, songwriters, and leaders. He additionally examines how a scarcity of financial chance bred an entrepreneurial spirit that fueled gospel music's upward push to attractiveness and opened a gate to social mobility for a couple of its practitioners. As Marovich exhibits, gospel track expressed a longing for freedom from earthly pains, racial prejudice, and life's hardships. in any case, it proved to be a valid too effective and too joyous for even church partitions to hold.
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Additional info for A City Called Heaven: Chicago and the Birth of Gospel Music (Music in American Life)
A City Called Heaven: Chicago and the Birth of Gospel Music (Music in American Life) by Robert M. Marovich